The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. : Elec. We also have another article with a hands-on look and footage from filmmaker Dave May, so please make sure you check that out too. Below is a comparison between the two cameras: Canon is touting that the C300 Mark III can be used for a variety of applications including documentaries, TV programs, TV news, and corporate videos. Impressive usability and imaging power combine in the EOS C300 Mark III, the customizable cinema camera that’s built for versatility and flexibility. DGO is probably something we are going to see being used in future Canon sensors. When a Super 16mm lens, or a 2/3-inch broadcast lens (with the B4 mount adapters – MO-4E for EF-mount /MO-4P for PL-mount) are used on EOS C300 Mark III the camera is set to formulate a choice between 2K or HD video formats. The EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. If you want to download the full specifications of the camera you can do so above. This is misleading. How long can you record for in the various resolution, frame rates, and codecs? Given that both the C500 Mark II and C300 Mark III share the exact same body, it is no surprise that they both weight 1.77 kg (3.9 lb). It is also compatible with anamorphic lenses. There doesn’t seem to be any dynamic range improvement in the highlights if you compare the camera to the C500 Mark II. There is also an optional removable rear camcorder style viewfinder that costs $699 USD. Reviews mention it can shoot 4K 120fps. For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. The LM-V2 4.3" LCD Monitor is an easy-to-view touch panel with approximately 2.76 million dots. Not responsible for typographical or illustrative errors. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. He is the Editor of Newsshooter.com and has been writing on the site since 2010. Additionally, the display has a control interface to make it easy to access and change camera settings. Canon EOS C300 Mark III Digital Cinema Camera Body. This is how ARRI describes how Dual Gain Output works: The Dual Gain Output simultaneously provides two separate read-out paths from each pixel with different amplification. One is in the lens itself (the optical phenomenon of diffraction) that sees a progressive lowering of optical MTF as the lens aperture is stopped down. I wrote an article last year about the changing direction of the camera market, In that article, I wrote: As Steve Jobs famously once said, “If you don’t cannibalize yourself, someone else will.” With companies such as Blackmagic, Z CAM, and Kinefinity disrupting the market, the big manufacturers need to start cannibalizing themselves if they want to stay relevant. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps. The new sensor uses a Dual Gain Output (DGO) which I will talk about in-depth in … It is important to note that the DGO can’t be turned on or off. This method is said to enhance low light performance and prevent the highlights from being clipped, thereby significantly extending the dynamic range of the image. After I purchased the camera I went through the same process. Canon has just announced the C300 Mark III, an S35 digital cinema camera that can record internally in 4K at up to 120p in either RAW or XF-AVC 4:2:2 10-Bit. This is the only logical explanation. According to Canon, you can continuously record 130 minutes of Cinema RAW Light (1Gbps) when using a single BP-A60 battery. The Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. The EOS C300 Mark III camera offers a variety of options in terms of onboard recording while simultaneously supporting external uncompressed recording. The EOS C300 Mark III uses the same exact Dual Pixel CMOS AF (DAF) Technology that is found in the C500 mark II. https://bhpho.to/3noJrx9. A correction circuit under control of a recovery filter database within the DIGIC DV7 implements this compensation. Sony FS5 MKII Super 35mm 4K Camcorder. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. If I was to guess as to why it doesn’t have an RF mount it would be that Canon engineers may be having issues trying to fit an internal ND system with the RF mount. If you own a C500 Mark II you could swap over mounts between that camera and the C300 mark III. That means you can’t use it if for example if you were shooting a 23.98p base and wanted to shoot at 60fps. It is with HDR that DGO will be noticeable. Canon Cinema EOS C300 Mark III Specifications: 4K up to 120p Newly Read more… SHOP NOW. If you bought a C500 Mark II, you may well be looking at the C300 Mark III and questioning your decision. It seems a little bigger than the Mii. Yes, it isn’t full-frame like the FX9, but the pricing is similar and the C300’s direct competitor has always been the Sony FX series. This makes it very similar in size to the sensor that is used in the C300 Mark II. Support for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. 0% 24m &1.99% 36m Leasing! #0907905; Sec. This could be a potential usability problem if you are shoulder mounting the camera. Would you buy one? For example: B&H # CAE1880EF. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Less heat being produced means less image noise, which should equate to better low light performance. The lightweight body comes equipped with Canon's … Users can change the lens mount themselves without assistance from a Canon service center. WHich 4 Pin XLR AC Adapter is used for the Canon c300 mark lll? Like what we do and want to support Newsshooter? Users also benefit from smooth, intuitive touch focus operation with the 4.3-inch LCD … The second path contains a signal with lower amplification to capture the information that is clipped in the first path. Just like the C500 Mark II, the C300 Mark III features Electronic Image Stabilization (EIS). This is what the C300 mark III comes with: You can, of course, use the same EU-V1 Expansion Unit 1 or EU-V2 Expansion Unit 2 that are available for the C500 Mark II. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3" rotating touchscreen LCD unit with full controls, grip, and thumb rest. Gen. #0907906. Footnote. The C300 Mark II has a user-changeable lockable Canon EF mount that can be changed over to PL or standard EF. A site for working professionals in the TV & Film industry. Unfortunately, your browser doesn't support these improvements. Included with the camera are 13 accessories, such as a 4.3-inch LCD monitor and the GR-V1 grip. Since the Canon CN-E 18-80mm has a 31.4mm image circle and the C300 Mark III has a 29.6 mm sensor diagonal, you will not experience vignetting. This data is reported to the Digic DV7 processor that make high-speed calculations that in turn create the appropriate instruction to reposition the selected active image area. In Stock! Now, one thing to note though, on the C300 Mark III Face detection only works up to 60p. Shooting in Cinema RAW Light, the EOS C500 Mark II and EOS C300 Mark III … The C300 Mark III supports Cinema Raw Light and can record RAW data inside the camera body without using an external recorder. The rectangle turns green when the subject is in focus. That is a good question. But if you do want to control the audio on the operator’s side you will need to have your audio plugged into input 3 or 4. If the subject is out of focus the box will turn grey and the arrows will indicate which way to adjust the lens to regain focus. This low power draw is a big deal if you are shooting documentaries, events or news. Considering the RF lenses that are now available and the ability to adapt not only Canon EF, but a wide range of other mounts it is puzzling to say the least. The camera features up to 12G-SDI output over a single BNC cable, timecode I/O, and genlock input BNCs. The power draw of the C300 Mark III (31W) is less than half that of the C500 Mark II (63W). What ARRI and Canon are doing requires there to be a dual readout on every frame and then processing all of that on every frame. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Please enable javascript for your best B&H experience. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on. A new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. The US price for Cinema EOS C300 Mark III body is $10,999, now available for pre … Both cameras have their strengths and weaknesses. By using the exact same body and same accessories as the C500 Mark II Canon would have significantly saved on development and manufacturing costs. Is it possible to operate the C300 Mk III on a jib with the touch monitor repositioned off camera so the jib operator can perform touch autofocus? Canon says that the most dynamic range (16+ stops) can be achieved when shooting at 800 ISO in Canon Log 2. Let’s face it, although not a bad camera, the C300 Mark II was underwhelming in a lot of ways. Both modules interface with the camera body via a three-pin Fisher connection point. This enables you to record four separate audio tracks. The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. Face detection AF is another autofocus mode that can track a person’s face in the frame and maintain focus on them. The key area where the Mark III is better compared to its predecessor is that it is built on the same platform as the EOS C500 Mark … It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. Serv. *180fps uses a cropped part of the sensor and it can only be done when in the Super 16mm mode. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection. The new sensor uses a Dual Gain Output (DGO) which I will talk about in-depth in the next section. The Unit Cable UN-10 will extend the C300 MK II's LCD cable length up to 39 inches. The EOS C300 is flexible enough to work with Canon's existing line-up of EF and new EF Cinema lenses, as well as countless accessories from third parties. Well, let’s have a look: 12 BIT RAW – 23.98, 24, 25, 29.98p10 BIT Raw – all other frame rates, 4K (4096×2160) RAW @ 25fps = 1gbps67min 512GB card, 4K (4096×2160) RAW @ 50fps = 1gbps67min 512GB card, 4K (4096×2160) @ 120fps = 437Mbps152min 512GB card, 2K RAW (2048×1080) @ 180fps (super 16mm crop) = 250Mbps261min 512GB card, 4K (4096×2160) XFAVC @ 25fps = 410 Mbps Intra166min 512GB card, 4K (4096×2160) XFAVC @ 50fps = 810 Mbps Intra84min 512GB card, 4K (4096×2160) XFAVC @ 120fps = 410 Mbps Intra166min 512GB card, 2K (2048×1080) XFAC @ 180FPS (super 16mm crop) = 160mbps Intra425min 512GB card. would be nice if there was a link. Canon Cinema EOS C300 Mark III; Canon Cinema EOS C500 Mark II; Canon Cinema EOS C700; Canon Cinema EOS C700 FF; I do know that Canon is actively working on making RF mounts for some of the older Cinema EOS … Note how Canon includes the terms "High Frame Rate" or "up to" whenever they mention 4k 120fps. The addition of Canon’s Cinema RAW Lite to the EOS C300 Mark II is no real surprise. *Frame rates above 59.94 can only be recorded in Cinema RAW Light 10-bit. With a power draw of just 31W Canon probably had to make a trade-off with how the Dual Gain Output works in the camera. Accessories and expansion units can be easily attached to provide different levels of functionality. Just like with the C500 Mark II, Canon has put the audio controls for the C300 mark III on the right-hand side of the camera. If you shoot in Canon Log 3 then the dynamic range drops to 14 stops. The C300 was the first affordable digital cinema camera that could record in a broadcast quality codec. What is getting in my way is that the C500 is $5k pricier but in one important way inferior (?) The Canon EOS C300 Mark III Cinema Camera is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. The EOS C300 Mark III features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Ready to Ship! Canon states the image will be sharper with better detail and will resolve color better when shooting in 2K, and HD. BH #WO282300 - https://bhpho.to/2KnLzGW. When recording HDR onboard either that same HDR or the derived SDR may be externally recorded. This flexible design can be configured according to the shooting … Even though it shares the exact same body and accessories as the C500 Mark II, there are significant differences under the hood. The C300 Mark III supports Cinema Raw Light and can record RAW data inside the camera body without using an external recorder. Above you can see the difference in the physical sizes of the C300 Mark III and C500 Mark II sensors. The mount is also interchangeable with a separately available PL mount by the end user. The 5-axis stabilization also works in conjunction with Canon EF mount lenses that have stabilization. Given this low power draw, there is probably little reason to run a larger V-lock battery on this camera. Each mount swaps easily by simply removing four M3 hex screws. The Canon EF-mount Cinema EOS C300 Mark II Camcorder with Dual Pixel CMOS AF features a Super 35mm CMOS. Relevant outputs are MON., HDMI, SDI OUT, and VIDEO terminal/EVF-V50. The C300 Mark III has better internal recording options and higher frame rates, as well as the ability to internally record RAW. Only four M3 screws are required to implement the change out to the alternative mounts. If the C300 did in fact capture 4k 120fps as a standard setting, it would appear under one of the recording modes. Canon claims that this enhances image sharpness, curtailed moire, and produces a lowered visibility of noise at the higher ISO settings. CINE-SERVO 25 … Impressive usability and imaging power combine in the EOS C300 Mark III, the customizable cinema camera that’s built for versatility and flexibility. no DGO sensor/ no 16+ stops of dynamic range. An inverse function was then created and this forms the basis of the recovery filter database that would control the correction circuit (in realtime as the lens aperture is operated) to return the video image quality to close to the state associated with the wide-open aperture setting. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera. Or only EF-S lenses? In addition to these, optional extension units will be … It is interesting to see that the C300 Mark III is the first Canon camera to use a Dual Gain Output sensor. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. It features a V-lock or AB battery plate and gives you two additional audio inputs (more on the audio later). You shouldn’t confuse Dual Gain Output with Dual Base ISO. Conversely, if recording 2K onboard then only a 2K uncompressed version can be externally recorded. re: Touch Monitor Extension Cable. How does DPAF work? It was still reasonably popular, but nowhere near as popular as the competing Sony FS7 and FS7 Mark II. This system should certainly benefit anyone shooting handheld, especially with longer focal length lenses. Can someone compare the pros and cons of the DGO sensors vs the full frame sensor of the C500 mii? It also supports XF-AVC, which compresses video data and records it … Canon probably should have released this camera at the same time as the C500 Mark II. That makes it $5,000 USD cheaper than the C500 Mark II and $1 more than the Sony FX9. The EOS C300 Mark III camera is modular and customizable, just like the EOS C500 Mark II camera. The FX9 is already available and it is attracting a lot of attention from FS7 owners and users. To further fine-tune AF performance, the camera has the ability to set the AF tracking speed and response. If you want to see all the frame rates, data rates, etc. The C300 Mark III offers high frame rates and internal RAW recording. The EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS-422) in both expansion unit EU-V1 and EU-V2. If you want to know why cameras such as the new ALEXA Mini LF don’t have high frame rates I would imagine that it is because they want the Dual Gain Output to work in every mode on their cameras. Both cameras are priced similarly. It has been more than 4 ½ years since Canon announced the C300 Mark II, and that’s a long long wait with how fast technology has been moving. The C300 Mark III will be $10,999 USD and the FX9 retails for $1 cheaper ($10,9998 USD). The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making … This is not surprising because the amount of processing power to deal with two readouts at high resolutions and high frame rates would put a proportionally bigger load on the system. Because the media recording slots are on the side of the camera and not at the back there is no room to put them on the operator’s side of the camera. Unlike Canon, ARRI is able to use Dual Gain Output on all frame rates. The camera can also shoot in 2K or HD at up to 180fps. Higher resolution, greater bit depths, and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. If SDR is being recorded onboard only that same SDR can be externally recorded. Focal Length can be saved You can select the focal length during shooting to optimize the electronic IS effect. Canon’s Cinema RAW Light isn’t uncompressed, but the files still contain more than enough information to give you very clean images, good color accuracy and a smaller chance of seeing any image artefacts. As you can see from the above chart, DPAF support works with the C300 Mark III in most frame rates, but if you are shooting in S&F, some shooting frame rates are not supported. Audio input from the camera's internal microphone, mini mic port, and XLR ports can be assigned to the four different audio channels. EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) Questions - page 2, © 2000-2021 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001, Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount), Canon Single Battery Charger for EOS C300 Mark II, C200, and C200B Batteries, Canon BP-A60 Battery Pack for EOS C300 Mark II, C200, and C200B, Canon UN-5 Unit Cable for Select Canon EOS Cameras & XC15 (20"), loc_en_US, sid_1557488, prod, sort_[SortEntry(order=LAST_APPROVED_ANSWER_SUBMISSION_TIME, direction=DESCENDING)]. In the end, we are confident the design of the C300 Mark III will please both seasoned Cinema EOS users and newcomers alike.”. Tweet Pin It. We strive to offer our customers the easiest, most seamless shopping experience every day—using the latest technology and security measures. The module also adds additional SDI ports and power outputs. It isn’t that this camera can’t be used for higher-end productions, but they are trying to push the C500 Mark II as a camera that is more suitable for that. We even plugged it into the floor model C300 mk iii to check it worked as intended. DPAF also allows you to use the Dual Pixel Focus Guide. Above you can see his hands-on video where he goes into considerable detail about the camera’s features and how it performs. It also appears that the extra dynamic range you are getting on the camera is coming below middle grey. It also supports XF-AVC, which compresses video data and records it … The days of Canon releasing cameras with underwhelming specifications and features seems to be a thing of the past. Thanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. The Diffraction Correction system within the EOS C300 mark III camera processor implements real-time compensation for diffraction and for the optical pre-filtering. Through these connectors, the EOS C300 Mark III can be completely remote-operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection. Canon has incorporated what they refer to as DGO (Dual gain Output) into the C300 Mark III. Canon Cinema EOS C300 MARK III EF MOUNT. The Cinema EOS C300 Mark III features Canon's Dual Pixel CMOS AF Technology. I was personally disappointed with the C300 Mark II and thought that the images when recording in 4K looked soft. Users can upload and apply custom LUTs to the EOS C300 Mark III. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! To me, the C300 Mark III represents a re-birth in some ways of the original C300. The EOS C300 Mark III features Canon’s next-generation Super 35mm Dual Gain Output (DGO) Sensor. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. The Canon EU-V2 Expansion Unit 2 gives you a V-Mount battery plate, BH #CAEUV2. However, it does work when you are shooting in 2K Super 16mm Crop mode up to 112fps. It is a distinctly cinematic palette that is within reach for your next project. That entailed an analysis of the behavior of the point spread function of light beams passing through that system which was converted into a mathematical function, termed the optical transfer functions (OTF). Does the camera come with an AC power supply? hands-on look and footage from filmmaker Dave May, Panasonic LUMIX S 70-300mm F4.5-5.6 MACRO O.I.S, Laowa 11mm f/4.5 FF RL now available in Canon RF mount, Laowa 65mm f/2.8 2x Ultra-Macro APO now available in Nikon Z Mount, Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, Full Frame 6062 x 3432 (20.8 MP) CMOS sensor, Electronically-controlled ND filter system, which supports 2/4/6 and an extended 8/10 stops, S35 Dual Gain Output CMOS sensor Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, External 16-bit raw 4K/2K up to 120 fps to a compatible device*, Newly developed S35 4K CMOS Dual Gain Output sensor, User-changeable Lens Mounts (EF, Locking EF, PL), EF, PL, anamorphic and Spherical Lens Support, Dual Pixel CMOS AF with Touch AF and Face Detection AF, Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension), 4K Cinema RAW Light, and 2K Cinema RAW Light, 4K DCI or 4K UHD digital production formats with XF-AVC Intra codec, 2K DCI or 1080-line HD digital production formats with XF-AVC Intra, 4K/UHD/2K/HD Long GOP 4:2:2 10-bit recording, Proxy video recording using XF-AVC LongGOP, 1 x 1/8″ / 3.5 mm Stereo Headphone Output. It’s almost as if Canon is forcing you to go with the optional module so that you can control audio from the operator’s side. The EF mount comes standard, the PL mount is $1,600 USD.